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Showing posts with label Bandra. Show all posts
Showing posts with label Bandra. Show all posts

Sunday, July 31, 2022

THE PHILANTHROPIC SIDE OF RAFI SAHAAB - AN INCIDENT.

THE PHILANTHROPIC SIDE OF RAFI SAHAAB – AN INCIDENT. By Nasir Ali. 

This evening I had a chance visitor. After we had exchanged greetings and taken our respective seat, he blurted out: “Rafi Sahaab was indeed a saint.” He repeated: “Yes, he was a saint despite the fact that he made a living in the Bollywood film industry.” 

I was caught unawares and also pleasantly surprised. This was not because of his statement, but because such conversation was not expected in the least. I asked him, “Why do you say that?” It was then he narrated to me what he had heard from his friend who was a poor guy from the Bandra vicinity – Behrampada (in Mumbai City) to name it precisely. Here is what he told me about an incident that pertained to the early Sixties: 

 This man from Behrampada had four daughters. One of them had reached the age of marriage. He was much worried. He had no money or means to get his daughter married. He had heard from his neighbours about Mohammed Rafi Sahaab and that he was a good man. They told him to approach Rafi Sahaab for help. He had his own doubts initially because he himself was a nobody whereas Rafi Sahaab’s was a great name. Will he help him – a total stranger that he was to Rafi Sahaab? 

Gathering Rafi Sahaab’s address, he finally came to his Bungalow. The security guard told him that Rafi Sahaab was not present. Not losing hope, he visited it again the next day and then the next day only to be told the same thing. He finally requested the security guard to inform Rafi Sahaab about his visit. The security guard accordingly did so. So on his next visit, the security guard let him inside the gate, when he was astounded to see Rafi Sahaab beckoning him. 

Now when our man entered the living room, Rafi Sahaab politely told him to sit down. Snacks and tea were offered to him. After he had had his fill, Rafi Sahaab asked him the purpose of his visit. That man explained his plight and misery and informed Rafi Sahaab that he had a daughter of marriageable age but could not get her married since he had no money. Rafi Sahaab asked him how much money he needed. He quoted an X amount. Hearing this, Rafi Sahaab requested him to come back the next day without fail. 

So the next day, this man went to see Rafi Sahaab at his bungalow again. Rafi Sahaab was waiting for him. He offered him snacks and tea again. After he had finished with his victuals, Rafi Sahaab handed over the required X amount that the man needed for his daughter’s marriage. Moreover, he also gave him the same X amount three times over, saying that these were for his remaining three daughters’ marriages too. He was very happy. Too happy in fact. He had got more than he had asked for. But there was one condition attached: Rafi Sahaab asked him not to divulge this incident to anyone, nor to say anything about the money he had got from him. This much he promised. 

In due course, he got all his daughters married decently and was relieved of his duties thanks to the generosity and altruism of Rafi Sahaab.  It was only after Rafi Sahaab passed away that he felt he could now tell the world how Rafi Sahaab had helped him. 

Page copy protected against web site content infringement by CopyscapeWhen I heard the above story from my friend, naturally I choked with emotions. Then I recollected all those stories that I had sometimes read in the magazines about how Rafi Sahaab time and again rescued even Bollywood industry people, including music directors, from financial straits.  Yes, not only was Rafi Sahaab a man with a Golden Voice, but he was also a man with Golden Heart.

NASIR ALI

Saturday, September 24, 2016

WHEN RAFI SAHAAB SAT SINGING ON THE FOOT-PATH OF BANDRA!



We all know about the golden voice of Mohammed Rafi Sahaab (1924-1980) who was the most versatile playback singer of the Hindi screen.  Among the thousands of his songs of various genres, there are also many heart-rending numbers that convey the plight of the poor.   In fact, these songs have kept alive the memory of those movies which otherwise would have long been forgotten. 

That Rafi Sahaab had a golden heart as well is also generally acknowledged and there are countless stories of how he helped the people in financial distress or how he doled out money for charity.  Incredulous as it may sound, here’s another story by an eye-witness, one Jaffer Wali, who has written about seeing Mohammed Rafi singing on the footpath to raise money for charity.  Jaffer Wali was a Std.V kid at that time.   Based on his information, I am hereby presenting an abridged version in my own words: 

Rafi Sahaab never used to miss his Friday prayers which he offered in the BaRee Masjid at Bandra.  Once, after the Friday prayers, Rafi sahab as usual walked past the famous Lucky Restaurant down to the petrol pump to hail a taxi for home.  There he was accosted by three persons of the Sikh community.  They told him that they had come from the Guru Nanak Charity Clinic which was located on Station Road, Bandra.   They were in dire need of some funds.  Now, right on the road, Rafi Sahab had nothing with him.  Even the coins that he used to carry in his handkerchief while leaving for prayers had already been distributed to the wayside needy people.  What was he to do?  The enterprising Rafi Sahaab didn’t lose his heart.  He took the Sardars along with him towards the Riyaz Restaurant on  Station Road where old 'KabbaRi' shops existed.  There, from one of the shops,  he borrowed a harmonium.    Notwithstanding his immaculate white churidar pyjama, white kurta and a white skullcap he sat down on the footpath under the shade of a tree.  For about 15 minutes he played the harmonium, fine-tuning it.  By this time a large crowd had gathered.  Then Rafi Sahaab began to sing to the immense pleasure of the crowd.  He sang three songs.  After each song,  he would ask the listeners to donate generously in the name of Allah.  The people in the crowd willingly gave what they had in their pockets.  Soon coins and currency notes were piled up before him.  He asked for a sack and the money thus collected was put in the sack.  Then Rafi Sahab handed over the entire sack of money to the three Sardars who were stunned by Rafi Sahab’s humility as well as his helpful and resourceful nature.  They thanked him profusely and happily departed from the scene.

While on the subject, it would be appropriate to list some of the songs that have come to be termed as “the Beggars’ Delight”.  These songs were commonly sung by beggars and street urchins who begged for money on the streets of Mumbai and in the local trains.  Since those songs were popular,  the beggars did a brisk business.  I especially remember the Vachan’s number, O babu O babu O jaane waale babu ek paisa dede… that was popular for decades together.  One of the songs even talk about the plight of the Rich.   I call these songs as Rich Man-Poor Man Rafi’s Tributes”.      

RICH MAN-POOR MAN:  RAFI TRIBUTES:
1.   Jaane waaloN zaraa muR ke dekho mujhe… https://youtu.be/TIrUfneOYQ8

RICH MAN-POOR MAN:  RAFI TRIBUTES:
2.   O jaane waale babu ek paisa dede… https://youtu.be/YikzzB-FkAE

RICH MAN-POOR MAN:  RAFI TRIBUTES:
3.   GhareeboN kee suno voh tumhaaree sunegaa… https://youtu.be/7L6GWdQlUAU

RICH MAN-POOR MAN:  RAFI TRIBUTES:
4.   Aulaad waaloN phoolo phalo… https://youtu.be/5fkZQoCN_2c

RICH MAN-POOR MAN:  RAFI TRIBUTES:
5.   Tumhaare haiN tumse dayaa maangte haiN… https://youtu.be/tPTmsFITtT0

RICH MAN-POOR MAN:  RAFI TRIBUTES:
6.   Kisee mehrbaaN kee nazar DhoonDHte haiN… https://youtu.be/dl3pZ7MQMsQ

RICH MAN-POOR MAN:  RAFI TRIBUTES:
7.   hameN bhee dedo sahaaraa… https://youtu.be/TIkwxWo_plk

8.   RICH MAN-POOR MAN:  RAFI TRIBUTES:
pehle paisa phir bhagwaan… https://youtu.be/ao0RKj03A2A

RICH MAN-POOR MAN:  RAFI TRIBUTES:
9.   mehloN meN rehne waale… https://youtu.be/zvWZ4NctdQk

RICH MAN-POOR MAN:  RAFI TRIBUTES:
10.                tum jo ho so ho lekin Khudaa toh naheeN…  https://youtu.be/IxUBPjIq1cg

RICH MAN-POOR MAN:  RAFI TRIBUTES:
11.               aaj Gham kal Khushee… https://youtu.be/-AJKKa8wTxE


RICH MAN-POOR MAN:  RAFI TRIBUTES:
12.               GhareeboN kaa jeenaa bhee hai koyee jeenaa… https://youtu.be/Av3cMAHMOVI


RICH MAN-POOR MAN:  RAFI TRIBUTES:
13.               Yaa keh de hamm insaan naheen…. https://youtu.be/XonM7SJ0u_g


RICH MAN-POOR MAN:  RAFI TRIBUTES:
14.               GhareeboN kaa paseenaa beh rahaa hai… https://youtu.be/YLV10MGXWo0


RICH MAN-POOR MAN:  RAFI TRIBUTES:
15.               ghareeboN kee Qismat meN ronaa hee ronaa… https://youtu.be/wyrxZzppfMQ


RICH MAN-POOR MAN:  RAFI TRIBUTES:
16.               duniya meN ameeroN ko aaraam naheeN miltaa… https://youtu.be/xiiv8bM8oak



RICH MAN-POOR MAN:  RAFI TRIBUTES:
17.               koyee ameer hai koyee Ghareeb  hai… https://youtu.be/KmF7LvwT7Aw

RICH MAN-POOR MAN:  RAFI TRIBUTES:
18.               O daataa de hamko bhee pyaaraa pyaaraa banglaa… https://youtu.be/YaXwrmSpCx0

RICH MAN-POOR MAN:  RAFI TRIBUTES:
19.                ameeroN ke bhagwaan… https://youtu.be/YDbZVka-_h0


NASIR


Friday, December 26, 2008

PART 3: THE PHILANTHROPIC SIDE OF MOHAMMED RAFI.


PART 3: THE PHILANTHROPIC SIDE OF MOHAMMED RAFI.


In Parts 1 and 2 we elaborated the philanthropic side of Mohammed Rafi Sahaab, the Man with a Golden Voice as well as a Golden Heart, the Legendary and ever-popular playback singer of India, in so far as his charitable giving of financial help and assistance was concerned.

But, then, philanthropy has many other dimensions as well. One of them is the moral dimension. Despite being in a film industry in the 20th Century, it appears that Rafi Sahaab waged a constant jihad against self-interest, ego, sloth, temptation and evil that conquers any ordinary human being. But Rafi Sahaab was no ordinary human being. He far exceeded the moral standards of the Bollywood film industry in comparison with which he clearly emerges as a saint. Yes, if one has to name a saint in Bollywood, then Rafi Sahaab’s is the only one name. No, I’m not referring to his impeccably regular habits of “Namaaz” (prayers to God) as well as the 3 a.m. to 5:30 a.m., “Riyaz” (exercising and perfecting the melodies of music by singing in seclusion). It was as if Rafi Sahaab knew that he was fulfilling some sort of primeval covenant with his Creator who had gifted him with that golden voice with which it was his duty to bring a sense of fulfilment not only to himself but also to those who heard him and who, on hearing him, went into raptures. If these were the fifteenth or the sixteenth centuries, Rafi Sahaab surely would have been a wandering minstrel or faqeer, composing his own lyrics and music and singing them in towns and villages, in wilderness and deserts singing of Universal God. Or perhaps he would have been a real Baiju Bawra competing with Tansen in the court of Emperor Akbar. He was truly a “Karm-Yogi”, a dedicated playback singer, who gave his best to the film music irrespective of the fact whether he was paid or not for his labour and without jeopardising the interest of the producers or the music directors. He never demeaned or embarrassed the recipients of his charitable deeds.

How well Rafi Sahaab gave without embarrassing the recipients can be measured from his system of distribution of the Zakaat amount. For the uninitiated, Zakaat is a sort of compulsory Islamic tithe of 2.5% of one’s wealth, to be systematically given each year for the benefit of the poor who may include relatives as well as strangers. Zakaat applies to surplus cash, gold, silver and commercial items but does not include the amount that may be additionally given out of kindness and generosity for the benefit of the needy. According to the reports, Rafi Sahaab used to distribute the Zakaat amount during the month of Ramadan each year. This amount was divided and distributed by means of the many packets that had a dedicated number, given to the recipients, marked on the packets. At any given time during the day the recipients would go to Rafi Sahaab’s bungalow and pick up their packets after providing their dedicated number to the distributor who generally happened to be the Secretary of Rafi Sahaab. This system ensured that there was no pomp or show in the least on part of Rafi Sahaab while having the Zakaat amount distributed. There were no hassles involved too.

Rafi Sahaab's self-effacement here can be highlighted by a living illustration which provides a contrary case of pomp and show. In Mumbai’s Bandra vicinity itself, (exact location is suppressed) there is this house of some wealthy person. When the time comes for distribution of the Zakaat amount we find the young and the old, women and children jostling against each other to lay their hands on the amount being distributed. Sometimes we find a queue where the poor and the needy just sit in anticipation of the alms and charity all day long to the curiosity of the passers-by. Now compare this with the system of Rafi Sahaab and we realize how vanity and pride never touched him even when he provided a sizeable amount of his earnings every year to the needy people who never even got to see their benefactor while collecting their packets.

It is a pity that sometimes many sterling facts of life of an individual are suppressed either out of discretion or some other reasons. One fact that is being constantly overlooked or glossed over or even ignored in the case of Rafi Sahaab is that during the Ramadan of the fateful year, 1980, he learnt much to his anguish and pain that the Zakaat packets had not been distributed in time. The Holy Month was almost ending. He took that omission so very much to his heart, that it seriously affected his health. Even at that point of time he did not miss his appointments with the music directors. And as is universally known, in that state he recorded his life’s last film song, TU KAHIN AAS PASS HAI DOST, for a movie called Aas Pass under the baton of Laxmikant-Pyarelal who never realized that they were recording the last song of this great soul. Rafi Sahaab felt tired but the clock of life was still ticking. He had one more commitment to honour the next day. Some people were coming all the way from Calcutta (Kolkata) to record his Bengali song for their Kali Pooja Album. Even in his worst health, he had no heart to turn them away. How could he? For he believed that those who came to Rafi’s residence should not go away empty- handed. He sat for the rehearsal from 9:30 a.m., not telling his near and dear ones how he was fighting for life. It was only three hours later that he revealed his true state of health. But the damage had been done. He had suffered a massive heart-attack. The end came soon.

What suddenly dawns on us is that apart from being a saint, Rafi Sahaab was also a martyr. Has any one heard of a case where a person jeapardises his health for the sheer reason that the charity amounts were not distributed in a timely manner? Or of a person who just to honour one’s professional commitments, would continue to endure the excruciating pain of an impending heart-attack for three hours at length ? But that was the sterling character of Rafi Sahaab who was a philanthropist par excellence as well as a saint and a martyr. Is it any wonder, therefore, that when Rafi Sahaab died in the holy month of Ramadan the entire locality of Bandra and the known and the unknown faces of the Bollywood fraternity as well as thousands of outsiders formed the huge procession that followed his bier to the grave, braving torrential rains? Even after 28 years of his sad demise, nearly a thousand people from all over the country, including his fans, the film and the TV personalities, gathered at his grave in the burial grounds of the Juhu Mosque to pay homage to their departed icon, the Great Indian Legendary Playback Singer, Mohammed Rafi Sahaab.

CONCLUDED


NASIR