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Showing posts with label Tributes. Show all posts
Showing posts with label Tributes. Show all posts

Saturday, September 24, 2016

WHEN RAFI SAHAAB SAT SINGING ON THE FOOT-PATH OF BANDRA!



We all know about the golden voice of Mohammed Rafi Sahaab (1924-1980) who was the most versatile playback singer of the Hindi screen.  Among the thousands of his songs of various genres, there are also many heart-rending numbers that convey the plight of the poor.   In fact, these songs have kept alive the memory of those movies which otherwise would have long been forgotten. 

That Rafi Sahaab had a golden heart as well is also generally acknowledged and there are countless stories of how he helped the people in financial distress or how he doled out money for charity.  Incredulous as it may sound, here’s another story by an eye-witness, one Jaffer Wali, who has written about seeing Mohammed Rafi singing on the footpath to raise money for charity.  Jaffer Wali was a Std.V kid at that time.   Based on his information, I am hereby presenting an abridged version in my own words: 

Rafi Sahaab never used to miss his Friday prayers which he offered in the BaRee Masjid at Bandra.  Once, after the Friday prayers, Rafi sahab as usual walked past the famous Lucky Restaurant down to the petrol pump to hail a taxi for home.  There he was accosted by three persons of the Sikh community.  They told him that they had come from the Guru Nanak Charity Clinic which was located on Station Road, Bandra.   They were in dire need of some funds.  Now, right on the road, Rafi Sahab had nothing with him.  Even the coins that he used to carry in his handkerchief while leaving for prayers had already been distributed to the wayside needy people.  What was he to do?  The enterprising Rafi Sahaab didn’t lose his heart.  He took the Sardars along with him towards the Riyaz Restaurant on  Station Road where old 'KabbaRi' shops existed.  There, from one of the shops,  he borrowed a harmonium.    Notwithstanding his immaculate white churidar pyjama, white kurta and a white skullcap he sat down on the footpath under the shade of a tree.  For about 15 minutes he played the harmonium, fine-tuning it.  By this time a large crowd had gathered.  Then Rafi Sahaab began to sing to the immense pleasure of the crowd.  He sang three songs.  After each song,  he would ask the listeners to donate generously in the name of Allah.  The people in the crowd willingly gave what they had in their pockets.  Soon coins and currency notes were piled up before him.  He asked for a sack and the money thus collected was put in the sack.  Then Rafi Sahab handed over the entire sack of money to the three Sardars who were stunned by Rafi Sahab’s humility as well as his helpful and resourceful nature.  They thanked him profusely and happily departed from the scene.

While on the subject, it would be appropriate to list some of the songs that have come to be termed as “the Beggars’ Delight”.  These songs were commonly sung by beggars and street urchins who begged for money on the streets of Mumbai and in the local trains.  Since those songs were popular,  the beggars did a brisk business.  I especially remember the Vachan’s number, O babu O babu O jaane waale babu ek paisa dede… that was popular for decades together.  One of the songs even talk about the plight of the Rich.   I call these songs as Rich Man-Poor Man Rafi’s Tributes”.      

RICH MAN-POOR MAN:  RAFI TRIBUTES:
1.   Jaane waaloN zaraa muR ke dekho mujhe… https://youtu.be/TIrUfneOYQ8

RICH MAN-POOR MAN:  RAFI TRIBUTES:
2.   O jaane waale babu ek paisa dede… https://youtu.be/YikzzB-FkAE

RICH MAN-POOR MAN:  RAFI TRIBUTES:
3.   GhareeboN kee suno voh tumhaaree sunegaa… https://youtu.be/7L6GWdQlUAU

RICH MAN-POOR MAN:  RAFI TRIBUTES:
4.   Aulaad waaloN phoolo phalo… https://youtu.be/5fkZQoCN_2c

RICH MAN-POOR MAN:  RAFI TRIBUTES:
5.   Tumhaare haiN tumse dayaa maangte haiN… https://youtu.be/tPTmsFITtT0

RICH MAN-POOR MAN:  RAFI TRIBUTES:
6.   Kisee mehrbaaN kee nazar DhoonDHte haiN… https://youtu.be/dl3pZ7MQMsQ

RICH MAN-POOR MAN:  RAFI TRIBUTES:
7.   hameN bhee dedo sahaaraa… https://youtu.be/TIkwxWo_plk

8.   RICH MAN-POOR MAN:  RAFI TRIBUTES:
pehle paisa phir bhagwaan… https://youtu.be/ao0RKj03A2A

RICH MAN-POOR MAN:  RAFI TRIBUTES:
9.   mehloN meN rehne waale… https://youtu.be/zvWZ4NctdQk

RICH MAN-POOR MAN:  RAFI TRIBUTES:
10.                tum jo ho so ho lekin Khudaa toh naheeN…  https://youtu.be/IxUBPjIq1cg

RICH MAN-POOR MAN:  RAFI TRIBUTES:
11.               aaj Gham kal Khushee… https://youtu.be/-AJKKa8wTxE


RICH MAN-POOR MAN:  RAFI TRIBUTES:
12.               GhareeboN kaa jeenaa bhee hai koyee jeenaa… https://youtu.be/Av3cMAHMOVI


RICH MAN-POOR MAN:  RAFI TRIBUTES:
13.               Yaa keh de hamm insaan naheen…. https://youtu.be/XonM7SJ0u_g


RICH MAN-POOR MAN:  RAFI TRIBUTES:
14.               GhareeboN kaa paseenaa beh rahaa hai… https://youtu.be/YLV10MGXWo0


RICH MAN-POOR MAN:  RAFI TRIBUTES:
15.               ghareeboN kee Qismat meN ronaa hee ronaa… https://youtu.be/wyrxZzppfMQ


RICH MAN-POOR MAN:  RAFI TRIBUTES:
16.               duniya meN ameeroN ko aaraam naheeN miltaa… https://youtu.be/xiiv8bM8oak



RICH MAN-POOR MAN:  RAFI TRIBUTES:
17.               koyee ameer hai koyee Ghareeb  hai… https://youtu.be/KmF7LvwT7Aw

RICH MAN-POOR MAN:  RAFI TRIBUTES:
18.               O daataa de hamko bhee pyaaraa pyaaraa banglaa… https://youtu.be/YaXwrmSpCx0

RICH MAN-POOR MAN:  RAFI TRIBUTES:
19.                ameeroN ke bhagwaan… https://youtu.be/YDbZVka-_h0


NASIR


Wednesday, December 23, 2015

HAPPY BIRTHDAY REMEMBRANCES AND TRIBUTES TO LEGENDARY MOHAMMED RAFI SAHAAB.




Though Mohammed Rafi Sahaab began his playback singing career way back in 1941 (Gul Baloch) the system of conferring awards to film industry artistes had not been devised.  It was only in 1954 that the Filmfare Awards (then called Clare’s award after a promiment film critic) came to be instituted, and were to be given to honour and encourage artistes for outstanding performance in the films that had been released the previous years.  There were just five categories: Best Movie, Best Director, Best Actor, Best Actress, and Best Music Director.  The best playback singer award was instituted 1959 onwards but for a single category of male OR  female singer.  It was during this single-award phase that Rafi Sahaab won the Best Singer Awards for the years 1960, 1961 and 1964.  From 1966 onwards the Filmfare Awards were further enhanced to include both the categories, i.e. Male and Female Singer Awards.  Thus Rafi Sahaab won the Awards in 1966, 1968 and 1977.  He was nominated as many as 21 times.  Strangely, he was not even nominated for 1959 Awards.  They had conveniently forgotten the monumental ..tuu Hindu baneNgaa naa Musalmaan baneNgaa…  from Dhool ka Phool.  Then, according to a minority opinion certain  common error has crept in regarding Rafi Sahaab’s Award-winning number for the year 1968.  He had won it for maiN gaauun tum so jaao.. (see clippings with the photo) and not for ..dil ke jharoke meN…  Indeed that lullaby assures us a peaceful sleep, making us ready for the morrow with an everlasting hope of a better world.  It is noteworthy that Rafi Sahaab won all the three nominations that year – a feat which would be repeated in 1980, the last year of his life, when he was nominated for 1. Maine poochhaa chaand se; 2. Mere dost qissa yeh kyaa ho gayaa; and 3. Dard-e-dil dard-e-jigar…  They were the best songs of 1980.  It is a little surprising, therefore, that neither one of the three got the Filmfare Award.
    
Lastly, it goes without saying that had the Filmfare Best Singer Awards been instituted in 1953 itself, Rafi Sahaab would have won many more Awards.  Who can forget his duniya ke rakh waale … and mann taRpat hari darshan ko aaj…. in Baiju Bawra (1953)!  Or O duur ke musaafir  from Uran Khatola (1954); daulat ke jhooTe nashe meN ho choor from Unchi Haveli (1955); maine chaand aur sitaaroN kee tamanna kee theeh from Chandrakanta (1956) and for the same year duniya naa bhaaye mohe from Basant Bahaar; and yeh duniya agar mil bhee jaaye toh kyaa hai from Pyaasa (1957)! 

Yes, we have restricted ourselves only to the Filmfare Awards and not the other Awards such as the National Film Awards that Rafi Sahaab won in 1964, 1966, 1967, and 1977; the Bengal Film Journalists’ Association Awards in 1957 (Tumsa Nahin Dekha), 1965 (Dosti) and 1966 (Arzoo); Sur Sringar Award for Chitralekha in 1964, among other Awards.  In 1974 he was awarded the World Film Magazine Best Singer Award for his song in Hawas:  teree galiyoN meN naa rakkhenge qadam… In 2001, Mohammed Rafi Sahaab was honoured with the Best Singer of the Millennium Award by Hero Honda and Stardust Magazine.  In 2013, Rafi Sahaab won the CNN/IBN poll for the Greatest Voice in Hindi Cinema.   From the world of Hindi Cinema released between 1940-2010, Rafi’s bahaaroN phool barsaao from Suraj (1966) was voted the Best Song from a list of top 100 songs by the BBC Asian Network.

We all know that the young Rafi was honoured with the Silver Medal by the first Prime Minister of India, Pandit Jawaharlal Nehru, on the First Anniversary of Indian Independence Day.  In 1965 he was conferred the Padma Shri Award by the Government of India. No other playback singer had bagged that Award before.  The list of Awards and Achievements of Rafi Sahaab both as the Singer and an exceptionally good human being is very long and cannot be discussed in this short article.  There have been appeals to the Government of India to confer the Bharat Ratna Award on the Legendary Rafi Sahaab and our FB friend, Sanjeev Dixit, is at the forefront in organizing such events and writing appeals.  Indeed, it is high time for the Government to look into Rafi Sahaab’s considerable contribution to the world of cinema and entertainment.  

As I had once said somewhere that value of Rafi Sahaab’s singing prowess can only be evident to those who have climbed up the higher wrung of musical appreciation. The higher one goes, the better and positive impression one gets about Rafi Sahaab. This is the reason why Manna Dey, a great playback singer himself, lost no opportunity in praising his colleague whether in his book or on the stage whenever he was asked about Rafi Sahaab.  The Legendary Yesudas and Balasubramanium  too have spoken very highly about Rafi Sahaab.  As for the millions of Rafi Sahaab’s fans, we instinctively love his songs so that successive generations are being mesmerized by his divine voice - which  explains his popularity even after 36 years of his sad demise.  

Today, I have posted in YOU’RE A THEME FOR MY DREAM RAFI SAHAAB some 22 of the choicest songs for your listening pleasure.  Do visit the group in FB. 

NASIR 

Friday, July 31, 2015

Tributes: Mohammed Rafi and Dharmendra:


DHARMENDRA TRIBUTES TO MOHAMMED RAFI:

A Short Article by Nasir Ali: 

Dharmendra remains one of the most prolific of actors what with some 5 or 6 of his movies always being screened simultaneously one time or the other during his hay days in Mumbai.  Probably the first time Rafi Sahaab sang for Dharmendra was in Shola Aur Shabnam, a 1962 film.  It was also the earliest of Dharmendra’s movies in which he romanced the forgotten heroine, Tarla.  Of course, the Shola Aur Shabnam songs were filmed on a very young Dharam, this being his second movie.  These songs are also accepted to be among the best ones from Music Director Khayyam.  Rafi Sahaab did have a typical style while singing for Dharmendra too so that one always identified the performer and the singing voice as one.

Rafi Sahaab’s songs have kept the memories of Dharam’s movies alive.  These songs are popular even today.   To mention a few among the many songs that Rafi Sahaab sang for Dharmendra: 

kahaaniyaa sunaatee hain – Rajput.
O meree mehboobaa – Dharm Veer.
main jaT yamlaa paglaa deewaana – Pratigya.
Huwee shaam un kaa KHyaal Aa gayaa…
tumhaare pyaar meN hamm beqaraar hoke chale…
main kaheeN kavee naa bann jaaooN….
Bandaa parwar main kahaaN – Pocket Maar.
Aap ke haseen ruKh pe aaj nayaa noor hai…
aaj mausam baRaa be-imaan hai...
mujhe dard-e-dil kaa pataa naa thaah…
mere dushman tuu meree dostee ko tarse…
aaKhiree geet muhabbat kaa sunaa luuN toh chaluuN…
apnee nigaah-e-shauq ke ... arre maine tujh ko chaahaa…
chhalakaayeN jaam Aaiye aap kee aaNkhoN ke naam…
dekhaa hai teree aaNkhooN meN pyaar hee pyaar…
gar tum bhulaa naa doge…
ek haseen shaam ko dil meraa kho gayaa…
yahee tamannaa tere dar ke saamne…
yaqeen kar lo mujhe muhabbat hai tumse tumse…
naa jaa kaheeN  ab naa jaa dil ke sivaa…
o maaNjhee chal tuu chale to chham-chham baaje…
kaheeN se maut ko laao ke Gham kee raat kaTe…
shamaa bujhne ko chalee…
kaajal vaale nayn milaa ke kar Daalaa bechayn ... 
kaliyoN ne ghuuNghaT khole…
lo cheharaa surKh  sharaab huwaa…
zindagee guzaarne ko saathee ek chaahiye – Ek Mahal ho Sapno ka.
kaise jeete haiN bhalaa…
naa jaane kyooN hamaare dil ko tumne dil naheeN samjhaa…
chehraa teraa Allaah Allaah…
maaN tujhe DhoonDhooN kahaaN – Maa.
bahaaroN kee baaraat Aa gayee…
Sone ke gehne kyooN tune pehne – Resham ki Dori.
Tumhaaree mulaaqaat se mujh ko pataa yeh chalaa…
til til daa lekhaa..
Apne dil meN josh hai – Mera Dharam Mera Karam (1987)
Tuu kaheeN Aas paas hai – Aas Paas 1980 (Career’s last song)

ik rastaa aa haa aa haa do raahee,
Jhilmil sitaaron kaa aaNgan hogaa…
in bahaaroN meN akele naa phiro…
yeh dil tum bin kaheeN lagtaa naheeN…
ik mahal ho sapanoN kaa…  
saathiyaa naheeN jaanaa ke jee naa lage…
ke aajaa teree yaad aayee…
rehne doh gile shikve…
dil ne dil se jaane kyaa kahaa…
jeet hee lenge baazee hamm tum…
tere paas aa ke meraa vaqt guzar jaataa hai…
tere siwaa naa kisee kaa banuuNgaa ye vaadaa rahaa…
aap ko pehle bhee kaheeN dekhaa hai…
dil toh pehle se hee madhosh hai matwaalaa hai…
duniya meN paise binaa kaise hamm jeeyenge…
baRe baRe logoN ke yaar baRe baRe haiN raaz…
ab doh diloN kee mushkil Aasaan ho gayee…
laRkee pasand kee mushkil se milti hai..
kyaa jalwaa kyaa nazaaraa…
shaher meN charchaa hai ahaa…
tuu meraa main teree duniya jale toh jale…
pyaar se dil bhar de…

Is it any wonder, therefore, that even after 35 years, Dharmendra has not forgotten Rafi Sahaab.  During his interview given to the Aaj Tak Channel, Dharmendra was asked "Hemant Kumar, Mukesh, Mohammad Rafi, Kishore Kumar... all of them provided playback for you.  “Behtareen kaun Lagaa?”  He forthrightly and very categorically stated:  “I love Mohammed Rafi!”  He continued: “Unhone pehlaa hee gaanaa gaayaa thaah: ‘jaane kyaa DhoonDhtee rehtee haiN yeh aaNkheN mujh meN/raakh ke Dher meN sholaa hai naa chingaaree hai…’ jeet hee lenge baazee hamm tum khel adhooraa chhooTe naa...’  phir kitnee pictureN ginwaaooN?”  He explained how Rafi Sahaab actually modulated his voice to bring in softness to the songs.  He further mentioned that the way Rafi Sahaab sang for others including Dilip Saab, Shammi Kapoor, it looked as if the heroes were themselves singing the song.  He cautiously added:  “baaqee bhee achche haiN main kisee kee burayee naheeN kar rahaa hooN.  Main toh bas Mohammed Rafi Sahaab kaa…. Unfortunately, the anchor just cut in before Dharmendra could complete his answer. 
According to Dharmendra, it was Rafi Sahaab’s voice that jacked his filmy career.  He remembers Rafi Sahaab as an endearing and affectionate but very unassuming figure despite his awesome position in the film industry.  He very humbly admits that “Rafisaab ke gaayeh yeh khubsoorat geet parde par gane ka mauka Dharmendra ko mila”. (These beautiful Rafi songs Dharmendra got to essay on the screen).  

Rafi Sahaab was known for his humility and here is Dharmendra emulating him in being as humble as ever in considering Rafi Sahaab his personal favourite and about whom he can go on talking endlessly. And Dharam has been Rafi’s favourite too!  Together they were a formidable combination!

NASIR